Category Archives: Equipment Review

ReedJuvinate Review

Here is my review of the ReedJuvinate reed holder

I became aware of the Reedjuvinate via one of my students who came in and emptied Listerine on my studio floor!

What interested me the most about the ReedJuvinate was its claim to keep reeds clean AND in a controlled, humidified state.  I’ve been using the ReedJuvinate for a few weeks now and I am very pleased with the results.  My reeds are playing better and holding a consistency which is allowing me to keep my three favourite D’Addario Select Jazz Reeds playing for longer!

Yanagisawa WO10 Tenor Review

I am delighted to present to you my full review of the Yanagisawa WO10 Tenor Saxophone.

I did a short review of the Yanagisawa WO10 at Woodwind and Reed in Cambridge last July, (around a week after the WO101 series first arrived in the UK.)  Sadly I forgot that my lovely new MacBook Pro doesn’t have a Firewire connector!

Finally, on the 1st March I was able to get into my studio with Max, (my film consultant) and record this video high quality video review for you.  We were able to record the sax with three different microphones and two different cameras, which I hope will give you a better feel for the saxophone.

I am a big fan of the Yanagisawa 992 series and I own a straight 992 soprano, 992 curved soprano and 991 Alto.  I first played a WO series Alto, back in March 2014 and I commented to Hidemasa Sato of Yanagisawa that if they could make a Tenor as good as the Alto’s I’d played, perhaps my 5 digit Mark VI might stay home for most of my gigs!

This is a first class saxophone, one of the best I’ve ever played.  The ergonomics are incredible, my fingers just seem to be able to reach and play every note with ease.  It has a rich, centred tone that projects with ease and producing the low notes is easy.  I’d highly recommend the Yanagisawa WO10 series to anyone looking for a high quality, elite level sax.

 

Yanagisawa Curved Soprano in Ely Cathedral

Yanagisawa Straight 992 Soprano in St. Paul’s Cathedral

Absolute Soprano Sax Mouthpiece Review

Absolute are a small Italian firm who make professional saxophone mouthpieces.

In their manufacturing they use CNC and finish off by hand.

I came across this piece during a visit to Howarth’s Music in London – I needed a mouthpiece that would give me a brighter sound, with more edge than I could get with my vintage Selmer Soloist.

My video review is below – and I urge you to check out the sound clips recorded in the Lady Chapel of Ely Cathedral, one of the most incredible places to play saxophone!

The Absolute is a fine mouthpiece and I look forward to getting to know more about this company over the next few years.


D’Addario Select Jazz Mouthpiece Review

This is a superb alto saxophone mouthpiece and a great ‘first upgrade’.

D’Addario have owned the RICO brand for over ten years – I’ve played their Select Jazz reeds for even longer.

This mouthpiece gives you a lovely dark, centred tone that is very similar to a vintage Link or Meyer.

If you want to get a really great jazz sound, I would highly recommend you give this mouthpiece a try.

Frank Griffith reviews the Saxholder

Here’s another review of the Jazz Lab Saxholder by saxophonist Frank Griffith. You can watch my review here, and my interview with Frank here.

The Saxholder is the solution for all saxophonists, regardless of age, experience, size or shape. The basic problem is that the human neck was not designed to have a hunk of metal hanging from it. It’s not a hook hanging from the ceiling for lighting gear or a frame for a swing.

‘PUT YOUR SAX ON HOLD AND DON’T GET STRAPPY’

Just look at the two terms. ‘Strap’ means to be financially strapped, strapped into a difficult situation, lashed with a strap, and so on. Not particularly positive images. On the other hand, ‘hold’ or ‘holder’ has a much more secure and comforting sound to it. To hold close, put something on hold in order to sort it out, the safety of being in the hold of a ship, etc. The list goes on.

These differences are summed up in the principle of the holder versus the strap. By holding the instrument close to your body you can achieve a oneness with it; it can help you achieve a much better dialogue and relationship in order to realise your musical ends. Trying to achieve this intimacy with a heavy chunk of metal strapped to a vulnerable part of the body (your neck) is not good start – or end, for that matter.

To be fair, the holder takes some getting used to. Depending on your girth, height, and so on you might need to try different sizes to get the right fit. It can also sometimes slip off your shoulders a bit when the horn is not fastened to it – it’s more complicated and cumbersome than the simpler strap round your neck. While these inconveniences might irk from time to time, they don’t actually affect the main function of the holder, which is to balance and lessen the strain of the horn on your body. Regardless of the standard of our playing, what could be more important than helping us towards mastery of the instrument by making playing the horn more comfortable and enjoyable?

Hooked on sax, indeed, and I’ll shoulder the cost in order to go unstrapped and achieve a hold in one with my horn …

For more information logon to www.jazzlab.com or email [email protected]

 

Frank Griffith

 

[email protected]

 

www.frankgriffith.co.uk

Mouthpiece Silencer Review

If you’ve ever had people complain about your mouthpiece exercises making a horrible noise, this Jazz Lab mouthpiece silencer for saxophone is going to transform your practice.

In his book Developing a Personal Saxophone Sound, Dave Liebman says ‘the closer you get to the source of the sound, the greater the effect on the overall sound’. In other words, how you breathe, form your embouchure and play the mouthpiece has a much greater effect than the type of mouthpiece or the saxophone you play. You can check out this lesson here to view some exercises on just the mouthpiece. If you purchase the silencer you also get a small booklet with exercises and a DVD! The silencer is currently available from sax.co.uk