In this lesson I focus on Clips 12 & 13 (only 3 more to go!) – these phrases utilise the harmonic minor scale of G on tenor, D on Alto. Again, as I’ve said time and time before – take it slow and repeat many more times than you think you should!
Using the blues scale exclusively in solos can often seem a little ‘goofy’ or restrictive, but when you can exploit it like Joel Frahm, then stick with it!
Welcome to lesson six on Joel Frahm’s Welcome Blues. This is a brilliant blues scale lick that everyone can get down.
Lesson 3 on Welcome Blues and we’re into the final bit of section one.
For some of you, this would make an ideal ‘stop’ point – especially if you’ve been toiling at this for over a month. For some, it’s a great place to pause. For others it’s time to get this done and move onto the next 10 clips!